Category Archives: 2024-2025

“Behold, the Handy Household Helper” – Özge Uzman ’27

Behold, the Handy Household Helper:

An artificially alive android to fulfill all of your home-making needs! Your Helper can cook, clean, and everything in between, giving you more time to rest and relax!

In the snow-capped kingdom of Ira, there were, as such inventions tend to beget, many mixed emotions concerning the Helpers. Annoyance—one could not travel two feet without seeing a flyer; unease—perhaps people would devolve into stupid animals who could no longer take care of themselves; excitement—a groundbreaking discovery, one ought to celebrate such things; and more that I must leave unmentioned for the sake of time. The sheer intensity of the Helpers’ significance, however, was agreed upon in a far more unanimous fashion.

Ira is globally well-regarded for its innovative prowess. International serelism1 fairs are held biannually along the central riverbank, winding from the base of the cliffside castle all the way to the eastern cultural district, buildings shrinking in both size and number the farther one follows the water. I myself have visited three times, twice of which to interview serelism professor Sara A. Molina and innovator Eleni Averoff2 for my latest book, Those Who Harness Magic, a reflection on the impact of serelist education on the women’s rights movement here in the North.

The third trip was per my intrigue in the Handy Household Helpers.

On this latest visit to Ira, I regret to write that I had harbored a less-than-adequate understanding about the nature of these androids. I had assumed they were—while impressively high-powered—another brand of serving droid; I realize now the extent of my underestimation.

Here is an excerpt of one of my conversations with the serelist behind the Helpers, Henry Nelin:

LILIA ADIN: What was your goal, originally, when creating these Helpers? Has it changed at all throughout your process?

HENRY NELIN: My goal, yes. Well—I apologize, this might sound a little…*laughs*—but I have always been curious about the limitations of magic. Of course, we can’t create life, but it would be interesting to see if we could create something close. So I started working on something that could learn, essentially, how to act like a living being. Of course, not like it’s alive, but teaching it appropriate responses to commands and situations. That was my team’s goal. We went through many different iterations, but, years later, finally debuted this idea in our Helpers.

ADIN: Artificial life…in so many of Ira’s households now. That’s incredible. How soon might it be accessible to people in other kingdoms or countries, as well?

NELIN: Soon, very soon! *laughs* Of course, we’re constantly iterating—frankly, it surprised us how quickly people became interested—but it would really be a dream come true if this project could benefit as many people as possible. You know, take care of the homemaking so we can devote more time to further innovation, or arts and culture…

Rereading these words now, I’ve begun to feel nauseous, struck with the frightening realization of how hideously even something as innocent as this, a simple wish to give human beings more time, can backfire.

I do not blame Nelin for what happened, nor for his course of action post-incident, but I reluctantly admit that every night, my sleep is chased away by regret-filled memories and burning questions concerning the series of events leading to the Helpers’ untimely discontinuation. For that is what this story is, ultimately, about.

What does one do when an android starts to feel?

When I first met Nelin, it was at an ICERSF3 meeting in my home kingdom of Delle. I was sent to gather information about the conference-goers—names, companies, countries, etc.—and take notes on the featured inventions, one of which being the latest version of the Helpers.

When came his turn, Nelin stood proudly at the podium, explaining in great detail the inner workings of his innovation—the combinations of amulets used to animate the robotic components, his testing process, etc., etc.—and, the pièce de résistance, the modified memory charm resting at the base of the Helper’s neck dubbed the “Life Amulet,” which allows the android to recognize appropriate responses to given situations—his attempt at an artificial life.

This in particular caused a stir, especially considering the fact that most attendees were not from Ira and thus had not been surrounded by such ideas before. As somebody from Delle myself, I can confirm that while artificial life has always been a popular topic of discussion here, it has largely been regarded as an abstract vision, rather than an experiment to be pursued. Life cannot be created, and that is that. But, as Nelin chose to venture, perhaps it could be replicated instead, which intrigued me.

When I visited his booth after his presentation to ask a few follow-up questions, he invited me to his company building, a charming little castle he repurposed to house his projects, for a tour in further depth. Needless to say, I accepted.

A fortnight later, I visited his workplace, housed in Ira. Despite his impressive presentation at the ICERSF meeting, I was skeptical about the functionality of the Helpers. I had certainly read about them, and about Nelin and his team, but it was only in the belly of his castle workshop that I finally found myself internalizing the knowledge.

As I waited for Nelin’s arrival, I had an opportunity to speak with a family who employed the Helper’s household assistance. They were in the castle lobby, two parents and two children hip to hip spanning the length of a bench, and their impromptu review of the Helpers was nothing short of ebullient.

“Our Helper is so sweet; he doesn’t just do all the work really well, he also makes conversation sometimes, and it’s quite nice in between tasks to chat!” mother A. G. shared with me. “We all help him out—teaching the children valuable life skills and such—but he does most of the chores since my husband and I are often busy with work.”

The children had similar reviews: “He plays with us a lot and tells us stories. He’s really funny.”

Thinking back, I realize now my failure to recognize the warnings—but I digress. A few moments later, Nelin came to retrieve me. His grand tour consisted of a walk around the charm-development wing, in which animative, strengthening, or cognitive spells are cast through custom amulets, such as the Life Amulet; the technological wing, where the robotic parts themselves are created and strung together, aforementioned amulets woven throughout; and the testing wing—here I was able to interact with a Helper myself.

It—or rather, she—watched me from her place in the Helper lineup across the back wall. Nelin, noticing my interest, brought her forward to introduce us. She had the same proportions as a human being, except her skin was smooth and her limbs connected at joints like puzzle pieces slitting together. Her face was placid and sympathetic; the Life Amulet blinked at her neck.

“Hello,” she chirped in monotone. “How may I be of assistance?”

“That’s all she says right now,” mentioned Nelin to me. “We’re still working on the voices of this lineup here. But she’s got quite a few quirks about her already. You can take a closer look if you’d like.”

I chose to instead continue with the tour, still mildly uncomfortable with how these azoic products were regarded in an almost human manner. But during my short time with her, I noticed curious details about her movement. A head tilt here, a flexed finger there. Personal characterization, I had assumed. I was impressed by the attention to detail, and returned to my hotel to work on the manuscript of the interview I conducted with Nelin post-tour.

Here the narrative begins to derail, for, a few days later, I was notified of the untimely deaths of the Vale Family.4

I had stayed in Ira to visit some nearby relatives, and, due to my close proximity, was called to Vale Manor to report on the tragedy. Poison in the ventilation, I was told. There was a gas leak.

Upon arrival, I waited outside, gathering notes as the mansion was aired out and the poison put under control. Somebody mentioned that the Vales had a Helper, and my mind wandered to the family I had met those few days before. They had two children, as well. The thought saddened me, and I busied myself with my notes instead, writing “HELPER” at the bottom of the page.

A few hours after I had arrived, we were given the “all-clear.” The photographer and I followed the emergency services into the building, and even though the poison had been taken care of, I covered my nose and mouth, unnerved by the shadows in the corners and the stillness of the family photos crowning the tables along the entrance hall.

We traveled up the wooden staircase, charms along the sides lighting up with each footfall, and trickled into the upstairs hallway, where the children’s room was located. The bodies had not yet been extracted. I readied my pen and notepad as the leader of our little group found the room in question, a colorful sign reading “Miles and June—do not DISTURB!!!” as the identifying feature. I inhaled sharply as he swung the door open.

I do not believe any of us could have been prepared for the sight inside.

Two beds on either end of the room. A boy’s hand loosely fisting his blanket, face turned away. A little girl’s golden hair sprawling across her pillow. And a robotic Helper, smoothing the child’s hair from her slack-jawed face, sitting atop the blanket, gaze fixed to her unmoving frame.

The Helper did not seem to notice our little crowd, and we, far too unfamiliar with the sight before us, were frozen where we stood.

She stood up then, dragging her feet to the other end of the room and sinking to her knees by the little boy. She grabbed his hand—interlocked their fingers—and watched him as she had watched his sister. Almost as if waiting for him to wake up again.

She’s grieving, I had realized.

One of the officers with us must have realized it, too, as he snapped out of his stupor, sprinted forward, and ripped the Life Amulet from the base of her neck. She fell limp to the ground before the rest of our company could register his movement. The crack of her bionic skull hitting the floorboards jolted us awake.

“What was that?” the young photographer had breathed, fingers fluttering about the camera’s trigger, as if unsure of whether or not to record photo evidence.

“It must have watched too many shows with them. Learned how to act when someone passes away,” I heard someone say. “It’s an android, it doesn’t feel. Now come on, we can’t leave them like this. And you, Tad—” she pointed at the officer still holding the amulet “—you need to—”

“Look at her, Day,” he interrupted, eyes wide. “Look at her and tell me she didn’t feel anything.”

Here I must write that I was unable to catch the remainder of the debate. Staring at the motionless figure crumpled on the ground, a crater in the base of her neck where the charm should have been, any and all discussions fell onto deaf ears. I do not have the words to express all I felt at that moment, though I doubt any other witnesses have fared better.

Horror, perhaps. Life is not meant to be magically created. Was this not one of the many concerns of the citizens of Ira? While the conspiracies had been taken rather unseriously, there is now proof of a truth behind this fear.

I must have felt sorrow, too. The Helper was dead—no, shut down—before she was even ready to say goodbye, parting on somebody else’s terms. How tragic.

I would have remained lost in my thoughts had Day’s frustrated acquiescence not snapped me back to the present. She looked as disturbed as I felt, unsure of where to go from there. Suddenly I could no longer stand to be in the same room as the bodies and raced back outside. It was snowing that day, I remember, and the crowd outside had grown with a new influx of reporters. I told somebody to send for Henry Nelin and paced back and forth across the Vales’ yard in the cold, the image of the Helper’s fingers lovingly swirling through the dead girl’s locks burned into my mind.

In the weeks following the incident, the Handy Household Helpers were discontinued. The ones currently in use were forcibly returned to Nelin’s company building and were stripped of their Life Amulets. There is a room in the castle workshop full of their bodies now, a temporary graveyard until somebody can figure out what to do with them. While unfortunate, I find it inevitable: should the lives of these androids become no longer artificial, if they can learn personality and emotion, what would come of us, the people who serve as the example? What awful things might we teach them to do with their newfound life?

Then again, as I consider this, I am reminded of the Vales’ Helper, who, as I later learned from friends and neighbors, would partake in discussions with Pauline about unfortunate governmental goings-on, provide feedback on Ben’s heart-wrenching novels, diffuse petty fights between Miles and June, and still retained love. Above all, she retained love.

And what is to live, if not to love?

I must admit, rereading my words now, back in Delle, I am not even sure this story can still be considered an article. Originally intended to be an informative reflection about recent occurrences, it seems to have turned into something else entirely. Perhaps I shall rewrite it.

But it is nothing short of unbearable to maintain an objective focus for such a narrative.

There is something so precious and personal within these pages. A story that perhaps I’m not meant to tell, that I’m not able to tell. An android and the children she looked after. An android and the children who taught her how to love. No, I do not have the knowledge to give such a story justice. But must it really be shared with the world? Does something become more meaningful upon broadcast? No, I do not believe so…

Then perhaps here in my desk drawer it shall stay. Perhaps I will look at it from time to time, to remember not the hopeful innovation turned country-wide crisis, but a single Handy Household Helper who looked at her wards with kindness, sorrow, and love.

Yes, I think I like that story better.





“untitled” – Özge Uzman ’27

i’m so tired of having a body

i would do much better as a star

or a river—

no, an ocean—

or a ray of sunlight

or a moonbeam

i would much prefer to live

in an unfinished manuscript

or in the dream that inspired it

or in a photograph hung upon a wall

or in the click of the camera that took it

or in the melody of a piano duet

or in the hoot of an owl

or in a toddler’s laugh

if i am made of stardust

and can have ideas and can be inspired—

and can feel so deeply and so often

happiness sorrow rage love—

if i can love—

why should i contain myself in flesh and bones?

where is my vastness, my omnipresence?

when will my consciousness overflow

and tangle with the migrating geese, 

the frog’s croak, the stream’s bubbles?

i am so sick of being just me

i want to dig my fingers into soil

and grow roots

i want to turn my face to the rain

and dissolve into the ground

into the clouds

i would fly too close to the sun

if it meant the melting of my wings

would return me to the sea

instead my body will choke if buried

drown if underwater

and freeze the moment i leave the planet

and i am left to keep wondering:

what could a body give me that the stars cannot?

“family poem” – Özge Uzman ’27

i am a child of circumstance

two families arrange a marriage

and by chance the participants

(far too young to even consider

such a heavy commitment, the words

“i do,” unreal and empty but terrifying

until, of course, my mother is born)

become my grandparents

i am enamored with old photographs

i flip through page after page after page

tracing my grandmother’s face and

finding my mother and myself in the lines

i am softened by the way we all look alike

i seat myself across my mirror and take in

my grandmother’s cheekbones,

my uncle’s crooked grin

every time i am told i look like my mother

i feel as if i have the sun itself at my fingertips

then i find the wedding photos

and i see my grandmother—

only a year older than i am now—

a child expected to bear the children

of a man she hardly knows—

a child in a wedding dress scowling

as she sacrifices a chance to go to school

for the promise of safety and stability

and storms swirl inside my heart

but she was lucky

my grandfather was a good man

i never knew him but

i find photos of him, too

him doing his military service

bent over the side of a truck, beaming

as he scratches the head of a stowaway puppy

immortalized in shades of yellow and brown

in the folds of paper eternally crinkled like

the corners of his eyes as he smiles

and i know he is a good man

and i wonder if i look like him, too

the way i look like my mother

and my grandmother

and my father

and his mother and father

and my uncles

and my aunts

i see fragments of myself at every reunion

and i see echos of these reunions in every reflection

and i find every reflection in every old photo

and i know that while i am a child of circumstance,

i am a child of love, too.

“Will You End It? The Census Objects.” – Nina Onest ’25

When your heart thuds

A constant thud which never ends,

Convince yourself it is fine.

When your head throbs

A throbbing headache which never ends

Do not speak of its thoughts.

Silence these and throw them away,

For it is all a figment of your imagination.

Your heart is light with joy,

And your head is filled with content.

You are the embodiment of pleasure.

Relax, never forget you are glad.

Feel otherwise and be to blame.

Speak up and become the maniac

At fault for all’s displeasure.

Why can you not be happy?

The rest of us are elated!

We share a heart and a head.

Where do yours live? 

See the love in the air.

Hear the satisfaction.

Taste the truth of our proclamation:

All makes sense here,

For all is well.

Hearts beat every minute per second.

Yours is no different.

Minds pound out many a moment

No different than mine.

Rest your head upon this reassurance:

Yours are just the same

As mine and hers and all of us here present.

Feeling isolated

Makes you a bore.

Why can you not be happy?

Be enticing, be exciting!

We are content with each other.

Join us, there are no worries.

We have done so much for you.

Look, we have come so far,

Discussing solely between ourselves

The errors you have been making.

Do not mess up our progress.

Can you please stop being such a burden?

Smile, you are ruining our evening!

We have done nothing wrong.

We are not the ones wishing to end it.

Quit meddling with our friendship.

You chose to be with us years ago,

So you of all people can not end it.

Mark my words:

Stay a little longer, you will see you were at fault.

For me and her and all of us here present

Share a single consensus:

We will be friends for eternity,

You included.

So, my dear,

Do not voice your pain

Or the agonizing sorrow laying within your heart. 

Block your ears,

Do not share your feelings,

Those hardships you have cooped up within your mind.

Soothe your heart.

Put down your heavy head.

For we will conjure

And bring about our final verdict.

While you until judged –

Politely with love, I assure, –

Will not dare utter a word

Expressing your ill desire to adjourn

This sustainable, happy friendship.

Shut up, be silent.

Feel no more ill emotion.

Harbor not a single grudge against us.

We will assemble once more.

And when we come together,

We will forgive you of your faults,

For we accept that not all are good,

Not all can see that they are perfectly happy and content.

Look now at yourself and acknowledge these as true.

“Regrets of an Early Border” – Nina Onest ’25

Smoke rises up above the sky. 

The train is coming. 

Clocks ticking, second by second. 

Each moment a new hour comes to its finale.

The sound of the horn billows through the air.

The train is coming,

Heading closer and closer by the minute.

I would leave the station,

But my ticket withholds my train’s arrival time,

So I am left waiting in anticipation.

Wheels trudge into the station.

Others get on, 

But I do not.

After all, it is not my train.

My train is coming.

Heart pounding with every arriving train,

I dread the forthcoming arrival of mine.

Outside the station, I never had any sense of satisfaction,

Yet I long to leave it

Just to taste the air one last time.

But even the air outside carries the sound of a horn.

Whether of my train or another, I do not know.

The forces of antagonism linger in the station’s windows,

Pounding their fists against the glass

At the sight of those boarding and those waiting.

Their presence chills my spine.

Their gaze haunts me like the smell of smoke above the sky.

Inside the station, it is lonely.

There is no one to comfort me.

So desperately I long for the physical comfort

Of a dear friend or loving relative

That I stretch out my hands even to passersby.

Not stopping to pay me any mind,

They walk on to board their trains.

Of all things, I only wish for happiness. 

The train is coming.

I can feel it.

But before the train arrives,

I just want to live with a sense of satisfaction.

So in this moment, as I turn to face the station’s entrance,

I have decided to face those antagonizing forces

Which lurk outside the station’s doors.

After all, it turns out you are my source of happiness.

Therefore, I must go to you before the train arrives.

In that same fleeting moment as I turned,

I saw you standing in the station’s doorway.

All we had to do now was pass the tracks,

And at last, our fingers would intertwine

As we deliver the kiss of kinship on each other’s cheeks

Full of forgiveness and affection.

Yet the smoke was present in the air heavier than before,

The sound of the horn blew its last

While the trudging of the wheels slowed to a halt,

And the clock’s hand hushed its ticking.

We were both too late to make our shared realization.

The train had arrived,

And I was obligated to board.

If only I had not come so early,

Would you have made me feel that missing sense of satisfaction

And feeling of happiness that

Above all I so longed to have?

“the dungeon” – Corrine Sample ’28

in my mind i’m a queen
and i locked you in my dungeon
i wanted to stop hearing your whispers in my ear
your voice
that voice
but i could still hear it from where you were caged
so i ran
but you escaped and ran after me
eventually i got so tired
i wanted to give up
and let you lock me up instead
just so i wouldn’t have to fight you
i sat and sobbed in the field of grass outside my castle
then i heard your footsteps behind me
so i kept going
i found shelter along the way
and no matter how long it takes
i will outrace you
until you are nothing

“⭐⭐⭐- 3.5 stars” – Elsa Blodgett ’25

Locked away in the heart of  Lower Lawrenceville,  the italian eatery,  Senti, resides amongst a busy and lively crowd on Butler Street. Owned by Franco Braccia, the sleek and modern look of the restaurant glistened from the outside of the building. Given the profile of lower Lawrenceville, I believe that an Italian restaurant like Senti would fit in nicely. Upon walking through the door, I needed to take a moment to understand the layout and first impressions of the restaurant. When you walk in, it’s a large room designed with a few very comfortable and squishy lounge chairs for guests to sit and relax or kick your feet back and enjoy a cocktail hour after a long day at work. I was a bit thrown off by the color choice of the orange and green ottoman pin cushion seats, but I chose to look at it like a more modern take on design, which was giving off early 2000’s vibes. I really found an appreciation for the “Senti” sign as soon as you walked in. The font and color of the “Senti” sign were pleasing to look at and provided a satisfying depth when you first walked in. This front area was cool and gives the feel of a modern fusion design within the restaurant. Although we were seated for lunch, I can imagine that the LED sign provides a nightclub type of feel within that lounge space which seemed like a classy and pleasant place to relax with friends or partners in the evening.

I like that this space could allow people to meet others as these chairs are all sat around each other to potentially seat multiple groups, friends, or couples. I also really appreciated the booth style of seating that we were in, and appreciated how if you liked, you could be seated right next to the window to potentially do some people watching as you enjoy your meal. I think it’s an awesome spot with seating accommodations for all types of parties. I personally am not a fan of modern design and I could have appreciated a little more variety with the colors of the restaurant’s design pallet. In the dining room behind the bar where we sat, there were a few pieces of art, but mostly just white walls, white chairs, white table cloths, and everything just felt a little too clean and minimalistic for my personal taste. I felt quite worried to spill anything in the restaurant because of how pristine everything felt. While I can appreciate the more sophisticated and elegant look for an upscale restaurant, I was expecting something a bit cozier and warm which is okay. 

Moving along, we were seated immediately upon arrival with our reservation and were served ice cold waters as we sat down to the table. We squeezed one extra person into our table and it was absolutely no issue and our waiter accommodated this extra seat with no complaints. Zac, our waiter, was friendly, attentive, and understanding. Throughout the whole dining experience his service was seamless and efficient. We waited about 5-10 minutes for Zac to deliver us some bread and we were not disappointed. The wait time was ideal as it gave us a nice break to chat in between courses. I believe there is such a thing as the food coming too fast, and this wait time allows us to have lots of time to get into a good conversation pace and digest throughout the meal.

As for the bread, this porous focaccia was dressed and  coated in olive oil, generously garnished with rosemary and sea salt, and was warmed to my liking. It was a wonderful introduction to the meal ahead of us. I would definitely have enjoyed some accompaniments like butter, oil, or balsamic to go along with the bread, but it definitely has enough flavor to stand alone. They gave us a generous serving of bread in the first batch and then brought us another dish of bread that came out with our appetizers.

For my appetizer, I ordered the Arancini Cacio e Pepe. The warm, rich, and  loaded center melts in your mouth and is held in shape by the crispy panko-like crunchy shirt. Dressed in a red bell pepper sauce drizzled, a sprinkle of cheese. Moving along the entree was delivered in a timely fashion and was quite delicious.

The main dish was a crisp and classic dish. It was a crunchy chicken cutlet sat atop a bed of 3 steamed seasonal carrots, accompanied by a charred lemon, and garnished with greens to top it off. This was certainly a lovely comfort food that hit the spot as the main course of the meal. The grilled lemon allowed me to personalize how citrusy I wanted the chicken to taste and definitely elevated the flavor of the chicken to be more zesty and savory.  This dish had a well rounded taste, but a suggestion for the chef would be to potentially try to add a new twist on a more simplistic dish like a chicken cutlet, perhaps a nice sauce or dip to garnish it with . I would also recommend adding a few more carrots or veggies to supplement the dish as just three carrots felt a bit sparse.

To finish, the chocolate bread pudding was a rich delight. This warm delicacy was filled with joy on the inside and immediately satisfied my sweet tooth for the day. I captured the perfect bite when I scooped a spoonful of the vanilla bean ice cream with the delicious gooey chocolate bread pudding. This bread pudding had a wonderful flavor and the portion size was appropriate for one to savor on their own or to be split amongst friends. I appreciated the decorative cocoa powder sprinkled around the dish and how well rounded this dessert was. The vanilla ice cream complemented the contrasting dark chocolate flavor, the bread itself was thick and easy to cut through cleanly, and the warm melted center tied everything together.  

Overall this restaurant did a wonderful job at serving and displaying classic comfort food in an elegant and tasty manner. I would venture back to Senti if I had the chance again, and I was very impressed with the service, food, and cleanliness of the restaurant. Thank you Senti for a wonderful outing and meal.


“Dinner in the Kitchen: A Comparison Review” – Tiara Lewis ’28

“Not Always Invited to Dinner” by Raymond Saunders was created in 1995. It is a fairly political piece, referencing Malcolm X, Jackie Robinson, and other African American media and figures. I had the pleasure to examine this work among others in Raymond Saunders’ exhibit at the Carnegie Museum in Pittsburgh, his hometown. Upon hearing the title, “Not Always Invited to Dinner” and then looking at the work, I was immediately reminded of the poem “I Too” by Langston Hughes. In that poem the narrator speaks about how they are ‘never invited to eat at the table with the company’, just like the title of Saunders’ piece. In the poem it states, “Nobody’ll dare/ Say to me,/ ‘Eat in the kitchen’/ Then./ Besides,/ They’ll see how beautiful I am,/ And be ashamed—,” (lines 11-17). This quote portrays how it feels to stand up for yourself and be confident in your skin, even when others are trying to put you down and hide your full potential away. This relates to the piece because not only does it represent the neglect of African Americans, but it also celebrates the group and their accomplishments.

For example, on the right edge of the door that Saunders had used as his canvas, you can see part of a newspaper insert with a black girl doll with straight hair that says, “Straight Expectations” in the middle of the page. This can represent how African Americans were (and still are in some ways) encouraged to shrink themselves and neglect their culture to be able to conform to white standards. Even though the artist represents this feeling of compressing his culture, he still makes sure that African Americans are also shown in a positive light in this work. As mentioned earlier, he includes prominent African American leaders, Malcolm X and Jackie Robinson in his work. If these powerful names don’t ring a bell to you -which I’d be surprised if they did not- Malcolm was a Civil Rights activist and Jackie Robinson was the first black American man to play in Major League Baseball. Both of these figures helped pave the way for many more African Americans who came after them and they also both inspired many people with their courage. The influence that they had is clearly shown throughout the artist’s works, especially Malcoms’ influence. 

What I have noticed the most across Saunders’ works in the gallery is the repetition he uses. First, he starts on a bigger canvas; usually a door or just a once white canvas painted black. This larger foundation sets the scene for the smaller details that he adds to his work. If you compare all of the works shown in the exhibit, you can see that he frequently depicts Malcom X, Dr. Martin Luther King Jr (often thought to be represented with a crown), hearts, scribbles, crossing things out, religious symbols and figures, and Chinese characters. These things coming up again and again in his art are kind of like his signature images. They help show his character through his art and give him a distinct voice.